|
A note to the viewer from the author. Progress shown from present to past. |
08.17.10 Carving what amounts to a series of urban totems. |
The router I'm using was recommended by Creston Lea. |
But Creston eat your heart out, unless that is, you would like to install electirc in these. www.crestonelectric.com
|
Exact plastic copy of the patterned tree trunk. Inlay next. |
Plaster/rubber mold and PVC knockout awaiting liquid plastic. |
Plaster hardshell and blanket rubber mold. Does this make sense? |
The plaster hardshells sealed, ready to fill with rubber. |
Disassembling plaster hardshell to remove clay blanket. |
Clay blanket gets covered with plaster and later replaced with rubber |
Images of Outremont, Montreal and Le Vesinet lightly scribed. |
These images will later be carved out of the tree. |
06.29.10 The Illustrator templates will be tranformed into cast inlays during subsequent steps coffee cup is for scale |
36" print of Outremont/Le Vesinet templates |
Trunks at The Barn with one coat of Interlux Brightside |
Trunks primed with Interlux Prekote system |
Grinding the excess steel from the base plates |
Templates for the base plates and half inch steel plasma cut |
06.07.10 Studio view and tree trunks being prepared for paint |
Plywood template approximates the available space for the work |
Sawing the bases clean with Tajima |
Drawing of Le Vesinet, Outremont's kindred city outside of Paris |
05.21.10 Map of Outremont routed into prototype . Voids will accomodate inlays in cast black rubber |
Cast plaster replica of prototype provides inlay material |
Blanket mold transfers map to cast plaster |
Drawning of Outremont, Montreal guides inlay process |
Rendered proposal for 1160 Van Horne, Montreal. Wood, resin, cast rubber |